LIME EARS
LIME EARS
Lime Ears - Aether
5 ตัวขับเสียง ครอสโอเวอร์ 4 ทาง ท่อเสียงต่างขนาด 3 ท่อ สูตรสำเร็จความเป็นเลิศกับการใช้เวลาพัฒนาเกือบ 2 ปี
ต่อยอดความสำเร็จมาจากรุ่น 3 ตัวขับเสียงกับโครงสร้างทางวิศวกรรมที่ซับซ้อนขึ้น นำมาซึ่งคุณภาพเสียงที่ยกระดับขึ้นมาเป็นอย่างมาก หากจะเปรียบเทียบกับรุ่น LE3SW ของเราเอง 3SW ถือเป็นหูฟังคุณภาพสูงที่เหมาะสมในการใช้งานแบบฟังระยะใกล้ ในขณะที่ Aether จะมีความจริงจังมากขึ้นเปรียบได้กับระบบการวัดคุณภาพเสียงแบบเต็มสนามเสียงของมืออาชีพในแบบย่อส่วน Aether ให้เสียงที่มีสเกลใหญ่ เสียงต่ำขึ้นรูปเป็นตัวตนเป็นอย่างยิ่ง เสียงกลางมีสมดุลเสียงที่นุ่มนวลรับกับเสียงสูงที่ละเอียด มีมวลบรรยากาศรายล้อม มีรายละเอียดที่เหนือชั้นและการแยกแยะตำแหน่งชิ้นดนตรีทำได้สมบูรณ์แบบ
คุณสมบัติทางเทคนิค
- ตัวขับเสียง จำนวน 5 ตัวแบบ Balanced Armature
- ตัวแบ่งความถี่เสียงชนิด 4 ทาง แบบพาสซีพ
- ตัวขับเสียงแบบ BA 1 ตัวขับเสียงต่ำ
- ตัวขับเสียงแบบ BA 2 ตัวขับเสียงกลาง
- ตัวขับเสียงแบบ BA 2 ตัวขับเสียงสูง
- ความไวเสียง 109 db /mW
- ความต้านทาน 46 ohms @ 1000 HZ
สั่งสินค้าโทร 02-129-3391-2
฿64,000
5 ตัวขับเสียง ครอสโอเวอร์ 4 ทาง ท่อเสียงต่างขนาด 3 ท่อ สูตรสำเร็จความเป็นเลิศกับการใช้เวลาพัฒนาเกือบ 2 ปี ต่อยอดความสำเร็จมาจากรุ่น 3 ตัวขับเสียงกับโครงสร้างทางวิศวกรรมที่ซับซ้อนขึ้น นำมาซึ่..
฿64,000
Lime Ears - Aether R
FACTS
- Six balanced-armature driver construction
- Four-way passive hybrid crossover
- Switchable subwoofer double driver
- Utilizing VariBore and TrueSub technology
PHILOSOPHY
Goal of the design was to create experience of big, three-way far-field monitor system with regulated external subwoofer placed in spacious, well acoustically treated room.
We wanted the listener to experience everything that sound engineer created in the recording exactly as it was meant to sound. With a pinch of audiophile-sounding fun pleasing the listeners and avoiding too technical sound but still looking for real fidelity in their recordings.
We wanted the listener to experience everything that sound engineer created in the recording exactly as it was meant to sound. With a pinch of audiophile-sounding fun pleasing the listeners and avoiding too technical sound but still looking for real fidelity in their recordings.
TONALITY
In “neutral” switch position Aether maintains neutral tonality with very slight emphasis on subwoofer lows and crispy highs. With subwoofer driver switched up it receives powerful and accurate punch in the lowest region while maintaining great clarity and dynamics of both mids and even increased sparkle in highs.
SPACE
Extreme sound source separation, natural width, incomparable depth.
THE SWITCH
The switch controls the lowest bass region (below 100Hz). It can be used e.g. :
- Depending on listening level to make use of the Fletcher-Munson law (for lower listening levels the bass can be boosted to make it better audible)
- Depending on level and quality of bass in the recording (if the bass is great it can be made very powerful, on the other hand if material is not to well mixed and lows are becoming boomy and out of control they might be trimmed down)
- Depending on external noise levels (If you’re listening in noisy environment like airplane, subway or similar where low-end noise masks the lows, you might want to switch them up).
REVIEWS
“Aether is the kind of monitor that makes all types of music sound good, it’s engaging, has great imaging and sounds musical. For a 5 driver, it is sublime.”
Lieven, Headfonia.com
““Very big soundstage, amazing imaging qualities, endless details with intact musicality.””
MrButchi, Head-Fi.com
“The Aether is one of the occasions I find it does punch above its price class, and easily contends with the TOTL level priced around $1600.”
flinkenick, theheadphonelist.com
฿64,000
FACTS
Six balanced-armature driver construction
Four-way passive hybrid crossover
Switchable subwoofer double driver
Utilizing VariBore and TrueSub technology
PHILO..
฿64,000
Lime Ears - Model X
FACTS
- Introducing PAR (Passive Acoustic Resonator) technology
- Four balanced-armature drivers
- Switchable low-end characteristics
- Utilizing VariBore technology
PHILOSOPHY
Goal was to achieve a powerful sound while maintaining great clarity and precision.
TONALITY
Vented double low-end driver delivers juicy and powerful bass that is being accompanied by extremely crispy highs delivered by HF driver. Lush distinctive mids given perfectly placed between these two.
With switch positioned up, slightly warm and v-shaped. Swiching Model X down you receive mid-to-high focued earphones while maintaining the punch and clarity in lowest end of the band thanks to vented construction.
SPACE
Wide, deep, natural.
THE SWITCH
Switch changes level of low frequencies (approx. 8dB<800Hz). It can be used e.g. :
- Depending on listening level to make use of the Fletcher-Munson law (for lower listening levels the bass can be boosted to make it better audible)
- Depending on level and quality of bass in the recording (if the bass is great it can be made very powerful, on the other hand if material is not to well mixed and lows are becoming boomy and out of control they might be trimmed down)
- Depending on external noise levels (If you’re listening in noisy environment like airplane, subway or similar where low-end noise masks the lows, you might want to switch them up).
฿43,900
FACTSIntroducing PAR (Passive Acoustic Resonator) technologyFour balanced-armature driversSwitchable low-end characteristicsUtilizing VariBore technologyPHILOSOPHYGoal was to achieve a ..
฿43,900
/1-270x270.jpg "Lime Ears - Λ (lambda)")
฿26,000
Lime Ears - Ψ (psi)
FACTS
- Three balanced-armature driver construction
- Three-way passive crossover (Single low, single mid, single high)
- Two-bore acoustical design
PHILOSOPHY
The Ψ (psi), is the main axis our designs, being 3-way it was the starting point to others. The goal of tuning this three-driver model was most pleasant musical sound reminding a little bit classical hi-fi and pro-audio equipment from ‘70s and ‘80s . Overall sound was meant to be extremely natural, a little bit laid back, balanced, full, pleasant, musical and very faithful in monitor kind of way.
TONALITY
Lows that are punchy and could get pretty big if sound engineer meant it that way. Soft mids, in their vocal range recessed just enough to avoid nasal sound. and sharp enough in higher part of the band to maintain punch in snares or grain in distorted guitars. Due to unique acoustical tuning highs were kept crispy, but not harsh.
SPACE
Extremely natural soundstage width and depth. Great but not obtrusive source separation, natural, coherent imaging.
THE SWITCH
The switch controls the bass and lower mids (below 1000Hz). It can be used e.g.:
- Depending on listening level to make use of the Fletcher-Munson law (for lower listening levels the bass can be boosted to make it better audible)
- Depending on level and quality of bass in the recording (if the bass is great it can be made very powerful, on the other hand if material is not to well mixed and lows are becoming boomy and out of control they might be trimmed down)
- Depending on external noise levels (If you’re listening in noisy environment like airplane, subway or similar where low-end noise masks the lows, you might want to switch them up).
฿35,000
FACTS
Three balanced-armature driver construction
Three-way passive crossover (Single low, single mid, single high)
Two-bore acoustical design
PHILOSOPHY
The Ψ (psi), is the main axis ou..
฿35,000
แสดง 1 ถึง 5 จากทั้งหมด 5 รายการ (1 หน้า)